I recently wrote about how we define "Silmarillion fanworks" and normally would not repeat this topic for a couple of years, but this was before the AO3 outage gave us our largest influx of new members since the archive opened. Welcome, all!

We are a "Silmarillion" archive and that is anxiety-inducing for some because what the heck does that even mean? When we look at Tolkien's books on the shelf, they are tidily contained within their separate covers, and it seems simple. Anyone who has read beyond more than one of them knows that it is not simple. The books somewhat chop the timeline of the legendarium into sections (but only somewhat!), yet we know that any moment looks back at the history that produced it, and there is a lot of overlap.

I've been fielding our MFAQ (most frequently asked question) a lot in the last two weeks, since we have welcomed so many new creators to our archive: How does the SWG define "Silmfic" or "Silmarillion-based fanworks"?

That link points to the FAQ that answers that question by providing a checklist that hopefully helps creators make that call. If one of the criteria on the list fits, your fanwork is a "Silmarillion" fanwork and very welcome on our archive.

If you go through the checklist and still aren't sure, ask a moderator for help before you assume that your work isn't appropriate for our site. (You can also reply right to this email!)

This is important because, even though I know creators will worry about getting it wrong, we're really very chill on this. The SWG archive has been open for almost twenty years now. In that time, the only fanworks we have removed for "not being 'Silmarillion' enough" really weren't "Silmarillion" fanworks, as in the creator didn't realize that the Silmarillion Writers' Guild is a "Silmarillion" archive. The moderators are not patrolling the archive, scrutinizing works like, "Well, this one mentioned Aragorn one too many times for a Silmfic ..." SWG members aren't contacting us either, like, "Too many chapters took place in Rivendell for me to be comfortable with my eyeballs having to see this on the Most Recent page." Works should have "a significant basis in or connection to The Silmarillion"—that's it.

The SWG has been around for twenty-one years and (as I mentioned earlier) the archive open for nearly twenty. When we started the group, Lord of the Rings fanfiction was heavily dominant, and there were still dozens of Tolkien-specific archives open. We were one of many, and we chose to specialize in the "Silmarillion" so that "Silmarillion" fanworks could have a space where they received the focus and "Silmarillion" creators had a space to interact with each other around the deeper legendarium. Twenty years later, we happen to be the only one of those many archives with regular activity (and most have closed entirely), and the tables have turned: some evidence suggests that "Silmarillion" fanworks are overtaking those about Lord of the Rings.

Recognizing this, a few years ago we added our Beyond the Silmarillion section, which accepts works about all of Tolkien's books and their adaptations. For those looking to cross-post their Tolkien fanworks some place other than AO3, once you post five fanworks or more than 10,000 words with us, you gain posting access to this section of the site, and all of your Tolkien-based fanworks have a home.

New creators, keep the questions coming! We want you and your fanworks to feel welcome here, and we always support cross-posting across multiple sites and archives. Just reply to this email and let us know what is troubling you or use the contact form on our site.

Since the Archive of Our Own (AO3) announced on Thursday that the site would be down anywhere from two to four weeks, we've seen an influx of newcomers. We want to welcome you to the Silmarillion Writers' Guild! While we always hope newcomers will join our community and become part of twenty-one years of Silmarillion-inspired nerdery, we also support and recommend cross-posting fanworks to more than one site, so we are also content with being a backup archive for those whose communities are found elsewhere. Whether you are looking to back up your works or the AO3 outage gave you the excuse you've needed to finally join the SWG, we are glad you're here and hope you'll reach out to a moderator if you need help, as you get used to the site. (Just reply to this email!)

For those who would rather eat gravel than ask for help, we have an FAQ here that answers the questions we most regularly see.

Since we have so many new people, we wanted to introduce ourselves and what we're about. The SWG was founded in 2005, and the archive opened in 2007, making it an older site than AO3. Both the SWG and AO3 archives are indebted to the open-source fiction archive software eFiction, developed by Rebecca Smallwood (a Tolkien fan!) in 2003. Because of that, despite being built using different software, the two archives are relatively similar to each other in how they work.

The key difference between the two lies in the archives' purposes. Fan studies scholars recognize several types of fanworks archive. AO3 is a universal archive, in that its stated goal is to preserve any and all fanworks, with very few limitations. The SWG is a community archive. The archive exists for use by our community members and reflects the values, norms, and priorities of our community. This means that we are able to make decisions and policies that prioritize the comfort and safety of our members. To give a few examples of what that means: We have a Site Etiquette that governs how we expect people to treat each other. We do not accept AI-generated fanworks. We don't care what type of "Silmarillion" fanworks you post (beyond a few limitations imposed by our web host) and ascribe to the old adage "don't like, don't read," but we don't allow fanworks that do harm, such as those promoting racist or homophobic beliefs. We value being a positive-focused, open-minded community that aims to welcome Tolkien fans likewise committed to those values.

Both archives are volunteer-run, but our volunteer moderators are also community members. If you reach out to us for help, you will for sure hear back from us within twenty-four hours and probably much faster. Contact us here or reply to this email. Right now, many people are understandably worried about what guarantees exist that an archive will remain online for the foreseeable future. There is no such guarantee for any site, but we've explained how the SWG is governed and what we've done to ensure its long-term viability here.

But now, we're hoping that those of you who want to become involved in the SWG can do so! Here are some ways:

• Join our Discord to discuss Tolkien, fanworks, and the wide overlap between the two with fellow SWG members.
• We hold a monthly challenge with the opportunity to earn stamps for both creating a fanwork for the challenge or commenting on challenge fanworks. Our current challenge, Unquote, changes a few words from quotes in The Silmarillion as prompts.
• We instadrabble on the first Saturday of each month. Our next session is in one week, on November 7, 2026 at 6PM/18:00 UTC (find this in my timezone) on our Discord.
• Find a fanwork to love among more than 6,500 spanning two decades here.

As the third season of the Amazon television series The Rings of Power approaches, now is a good time to remind our creators about how we handle fanworks inspired by The Rings of Power (RoP) on our archive, discussions of the show, and resistance actions against Amazon.

First, the easy bit: fanworks!

We are a "Silmarillion" fanworks archive. RoP is based on the appendices of The Lord of the Rings, not The Silmarillion, even though it overlaps readily with the "Silmarillion" in places. Crossovers between the "Silmarillion" and RoP are welcome on our site but should be marked as crossovers using the Genre field.

Pure RoP fanworks are not eligible for posting on our archive except in our Beyond the Silmarillion section. Creators gain posting access to this section of the site once they archive 10,000 words or five fanworks with us. The Beyond section accepts fanworks about all of Tolkien's works and their adaptations, including RoP.

SWG members who are watching the show and want to discuss it should use the #tv channel on our Discord server to do so. Note that, while discussion of how the show succeeds and doesn't as an adaptation is fair game for that channel, complaints about the show's very existence do not belong there. Discussions of social justice, environmental, labor, and other concerns around Amazon should use other channels. This is the space for RoP fans to nerd out, and we reserve that channel for them. If you are engaging in said nerding, please use spoiler tags for discussing new show content during the week after release.

Finally and most importantly, we welcome RoP fans are part of our larger Tolkien fan community. Many of our members became Tolkien fans or began participating in fandom because of one of the film trilogies. Fans who became fans because of one of the films weren't always treated with kindness by existing fans, yet the reason the Tolkien fanfiction fandom has persisted with the strength is in a large part due to film fans keeping interest in fanworks alive. We hope RoP fans will also pick up the books, develop opinions on Fëanor and Thingol, and keep our fandom going strong!

There are valid concerns about Amazon, and the SWG does not aim to expand the audience for RoP or engage, as an organization, with the show in any way. The leader of the SWG is also a labor union leader, and we stand in solidarity with Amazon workers as they fight for fair pay and humane working conditions. However, the choices of a fan to watch RoP is not driving the destructive actions of Amazon, and criticism of individual fans rarely achieves anything positive and creates the hostile climate we have worked for more than twenty years to send to the Void. Activities or efforts aimed at making fans feel guilty about their choice to watch and participate in fandom around the show are not acceptable on the SWG, and discussion of problems with Amazon should not be directed at individual SWG members on our Discord, through comments, through DMs, or through other means provide by our website and social media/network affiliates to interact with each other.

All of this can be found in our Rings of Power policy. If you have questions, just hit REPLY, and we'll do our best to help!

You know the popular kids' party game, Telephone? One person whispers a sentence to the next person, and over time, the force of small mishearings of single words or single letters distorts the original sentence into something totally different. This month's challenge, Unquote, builds on that concept.

None of our prompts this month are things that Tolkien said or wrote. Instead, we've taken passages from The Silmarillion and changed a letter, a word, or a phrase to end up with a completely different passage than you will find in the book. The results are sometimes hilarious, sometimes eyebrow-raising, and sometimes accidentally insightful.

For those who wish to give the challenge a try this month, you will select at least one prompt from our collection of over fifty "unquotes" and create a fanwork using it. You do not have to include unquote in your response. As always, we welcome creative and offbeat interpretations of challenges and prompts! (Our challenge team, after all, managed to get twerking and furries into The Silmarillion for this challenge. We are not apt to be uptight.)

If you want to join the mayhem this month, you can find the Unquote challenge prompts here, and if you're new to our challenges, see the Challenges page on our website for complete guidelines.

I am proud to be a fandom old. I can go all "I was there Gandalf" about the early online fandom fights over Balrog wings, LiveJournal's Strikethrough debacle, and the planning phases of AO3. I remember when you might get dozens of emails in a day from a Yahoo! mailing list. I've used the <marquee> HTML tag unironically. The SWG is rapidly approaching "old as dust" territory as far as fanfiction archives go, and I'm right along with it.

In a lot of ways, this makes doing fandom history easier. I often know where to look and what to look for because I experienced and remember it. Yet there is a layer of fandom history that has remained tantalizingly out of reach for the decade or so that I've identified myself as a "fandom history": pre-internet fandom and specifically fanzines. I am a fandom old-but-not-that-old it seems.

Well, researchers from Marquette University—which holds a large special collection of Tolkien fanzines—handed researchers like me a huge gift last month: They published a dataset of the fanzines in their collection, detailing their contents in my favorite of all document formats: a spreadsheet. Until I can make it out to the university in person, this dataset gives a glimpse at what the zines contain and lets us draw some tentative theories about what Tolkien fandom—and fanworks—were like when fans shared their work with each other using pencils and typewriters and mimeograph machines.

This month's Cultus Dispatches column focuses on some basic analyses that I conducted on the dataset. If you held a fanzine from the '60s or 70s, what would you likely find in its pages? Was there fanfiction? What character groups were popular then compared to now? I tackled all of these questions in my first forays into the data.

Of course, we are a "Silmarillion" group, and the years the dataset mostly covers—1969 through 1979—includes 1977, the year The Silmarillion was published. The impact of The Silmarillion can be seen in the number of zines produced and, yes, an uptick in fanfiction. Likely few people reading this are surprised.

I've always wondered the extent to which in-person fandom groups and fanzines shaped the cultures of early online Tolkien fan communities. I've always suspected that they did, but lacking access to the documents of pre-internet communities, could never find evidence to make that more than a hunch. With this research, some tenuous continuities begin to emerge, attesting to the longevity and cultural richness of the Tolkien fandom and its fanworks tradition.

You can read my article "Fandom before the Time of the Trees: Revelations from Marquette's Fanzine Dataset" here.

And I want to end this week's newsletter with a massive thank you to the researchers, supervisors, and project backers who made the dataset possible: Robinson Ensz, Gabriel Marotto, Aidan Oakey, Ivy Stanich, and Ethan Thomas; Dr. Gerry Canavan and Dr. William Fliss; and Jason and Shannon Swiatek and Judy Mitchell.

I will admit that, until a couple of weeks ago when NelyafinweFeanorion shared a fresh biography of Eönwë with me, I had not thought much about him. Clearly no one else had either, as he was one of the only major characters unwritten in our Character of the Month biography series. He stands forth in a rather bold way and then fades again into the background. He does much and little at the same time. He is both trusted and hamstrung by the authorities above him in the organizational chart choirs of the Ainur.

Eönwë is a middle manager.

He is expected to both lead and defer. He gets to deliver bad news that he had no part in deciding. He is a commanding warrior, standing at the head of the army of the Valar, but then he lacks the authority to pardon Sauron after the War of Wrath, which proves a lost opportunity, as Sauron slinks back to evil. In other words, Eönwë has been set on view-only and cannot edit the critical document in the critical moment of the legendarium, perhaps rewriting ages of history to follow. Instead, we get the Second and Third Ages and Sauron's repeated resurrections.

Eönwë's feels a relatable and modern plight, perhaps best suited to comedic treatment, but he handles it with grace, administering justice and maintaining equanimity while not overstepping his bounds. As NelyafinweFeanorion writes, "Eönwë is not putting himself forward to mete out justice. He offers an avenue of repentance and possible rapprochement, but he does not punish or subjugate the free will of these individuals. It is a contrast to the immediate and ruthless subjugation of Morgoth." Middle manager versus CEO.

All the same, I think most of us will agree that Eönwë deserves a promotion.

Read NelyafinweFeanorion's biography of Eönwë here.

And before you go, don't forget that instadrabbling is this weekend on our Discord server: Saturday, October 3, 2026 at 6PM/18:00 UTC (find this in my timezone).

The title question probably seems obvious, and doubtlessly some of you answered it in your head with things like, "a Tolkien book published posthumously in 1977" or "the early history of Tolkien's legendarium." Because we are a "Silmarillion" archive (and yes, the use of quotes and not italics is intentional!¹), this question also becomes a matter of policy for us. In the early years of our archive, we called it our MFAQ—most frequently asked question—because we were asked it more often than any other: "Is this story 'Silmarillion' enough for your site?" or "What counts as the 'Silmarillion' anyway?"

This has reduced somewhat as the fandom has come to better understand what The Silmarillion actually is (a compiled, edited, posthumous book) versus the decades of work (and reams of drafts and notes) Tolkien put into a text he never managed to see to fruition. Most fans are very comfortable letting all that fall under "Silmarillion" material. Tolkien fandom has become more comfortable with fuzziness, whether in defining what counts as "canon" or in the boundaries that exist between the texts in the legendarium.

Once upon a time, there was a common misconception that "Silmarillion" meant First Age and earlier. Our annual Akallabêth in August challenge and the 2009 Akallabêth in August compilation was intended to push back against this misunderstanding and spotlight the creators making incredible Second Age fanworks, who often felt marginalized in their own fandom. But of course the "Silmarillion" includes a substantial amount of the Third Age as well. Our MFAQ defines this as "any Third Age that is not covered in detail in The Hobbit or Lord of the Rings," which leaves a lot of ground to be covered. Furthermore, fanworks that include materials from The Hobbit and The Lord of the Rings certainly aren't verboten—they just need "a significant basis in or connection to The Silmarillion."

Our MFAQ includes a checklist that helps you determine what that means. (Spoiler alert: It is not a hard bar to clear for us.) If you have Third Age or other "borderline" fanworks that you've thought about posting with us, check it out! Chances are that we'd welcome your work. You can read the full FAQ on how we define "Silmarillion fanworks" here.

As with just about everything we do, we aim to include rather than exclude, to expand rather than limit. While we are a "Silmarillion" site, our purpose has never been to draw hard lines between "Silmarillion" and "everything else," and for us, a "maybe" is almost guaranteed to be a "go for it." If you ever have questions about whether a work is appropriate for our site, start with our MFAQ and then reach out to the mods if you need further guidance.

1. First newsletter with footnotes! In Tolkien scholarship, the convention has become to refer to the published text as The Silmarillion and the body of work comprising the early legendarium as the "Silmarillion." Since we aim for inclusivity and expansiveness whenever we can, we opt for the "Silmarillion," as that sweeps in a whole range of posthumous works, appendix materials, etc. (although usage across the site is likely inconsistent on this point. The inclusivity stands.)

The stars are the crux of Tolkien's mythology. Varda painted the sky with them. The Elves gazed upon them with their first sight. They were guides, gave hope, and provided warnings. Eärendil soared among their multitude, casting light upon Middle-earth that would later aid Frodo and Sam in the overthrow of Sauron.

This month's challenge focuses on stars, using bingo cards to add an extra layer of challenge for those who choose to accept it. Each card contains celestial prompts, some with images of the astronomical phenomenon. Many also contain links to more information about the constellation, star, or other celestial body in Tolkien's legendarium.

As always, you can use any part of the prompt to inspire your fanwork! We encourage creative interpretations of prompts, and fanworks do not have to be about, involve, or even mention stars. Our bingo challenges do not call numbers, so you can "play" any square you want, but if you'd like to combine prompts for a row, column, diagonal, or even a full-card blackout, you can feel free to do so! Let us know if you do—there are special stamps available for each of those achievements.

You can find more about the Stars challenge, including three beautiful prompt cards, here.

Also: mark your calendars because instadrabbling, hosted by Anna (IdleLeaves), will be returning for another three months on our Discord server! Join us on the first Saturday of the month in the #instadrabbling channel, on October 3, 2026 at 6PM/18:00 UTC (find this in my timezone), November 7, 2026 at 6PM/18:00 UTC (find this in my timezone), and December 5, 2026 at 6PM/18:00 UTC (find this in my timezone). If you're not a member of our Discord, you should be! Come join us here!

Working with data from the Tolkien Fanfiction Survey is like panning for gold. It is mostly grit and gravel—rows of numbers in a spreadsheet ground down into sums and percentages—but every now and then something flashes out of the mire. Since working with large sets of data is mostly routine (someone who didn't enjoy it might even term it drudgery!), these discoveries never fail to surprise, even thrill, coming as they often do in the midst of data for survey items I'd assume would be unremarkable.

In this month's Cultus Dispatches column, I turn to a dataset that is just that: entry year for Tolkien fanfiction authors. It should be dull, unexciting, rote numbers reported on how many authors started writing in any given year, but when I set three sets of these data from the Tolkien Fanfiction Survey side by side, they started to get interesting.

I've been using this dataset in writing and conference presentations from before the survey was even complete to show how more authors started writing during the film years, but when I put together graphs of the data for the three surveys, I started to see trends that reveal much more interesting conclusions than the rather obvious observation that the films inspired a lot of fannish activities, including fanfiction. Most notably, how a fan engaged with fanfiction around the films seems to predict how long they'll stick around in the fandom, hinting at why, among survey participants, movieverse-only authors are exceedingly rare (and showverse authors so far don't exist at all).

You can read my discoveries in "Speak Friend and Enter: Trends in Fandom Entry Year" here.

Spanning thousands of years as it does, the legendarium contains characters whose deeds echo across the ages, and it contains characters who root a family tree that grows heroes like leaves. Marach is one such character. Mentioned just seven times in the published Silmarillion, Marach might be obscure but, without him, the legendarium would unfold much differently.

This month, for our Character of the Month columm, NelyafinweFeanorion details the life and times of Marach. While his deeds in the book are few, his notable scions are many. "These familial relationships," NelyafinweFeanorion writes, "tie Marach into the larger history of Men in the First Age," going on to list Marach's famed descendants. Furthermore, while we lack details about battle heroics from Marach, he forged critical alliances in the First Age.

Marach, then, is a character in the legendarium who works toward the defeat of Morgoth through subtle notes in the Music: a family line renowned for its honor and allegiances that held strong in the fight against Morgoth.

You can read NelyafinweFeanorion's biography of Marach here.

Remember too that we instadrabble today, Saturday, September 5, 2026 at 6PM/18:00 UTC (find this in my timezone)! You can learn more about instadrabbling here and join our Discord server to create and enjoy fanworks with your fellow SWG members!